Upper Portion of a Blue-painted Hathor Jar

Upper Portion of a Blue-painted Hathor Jar

An item at Metropolitan Museum of Art

This is the upper part of a jar that would have been over twice the height. A complete jar would have a complex profile, somewhat similar to a figure 8, with this beaker shaped upper section joined at the waist to a wide slightly shouldered jar. The piece has an overall white slip, and then is painted mainly with vegetal motifs in blue, with touches of black and red, characteristic of Egyptian "blue-painted ware" of this period. The preserved neck has a relief Hathor emblem on opposite sides. The goddess face was probably formed by pressing the clay into a mold formed for the purpose – the pressure of fingers can be seen on the interior of the jar. The Hathor face wears a blue straight wig, bound at intervals by red ribbon. On the other sides are bound papyrus motifs between animal-headed scepters known as was scepters. This jar was found in Amenhotep III’s festival city of Malqata. Hathor’s own drunkenness, which saved mankind from her wrath, along with her role as a goddess of pleasure, connects her with drink: it is tempting to think such vessels could have been used to serve wine or beer.

Egyptian Art

An exhibit at Metropolitan Museum of Art

Upper Portion of a Blue-painted Hathor JarUpper Portion of a Blue-painted Hathor JarUpper Portion of a Blue-painted Hathor JarUpper Portion of a Blue-painted Hathor JarUpper Portion of a Blue-painted Hathor Jar

The Met collection of ancient Egyptian art consists of approximately 30,000 objects of artistic, historical, and cultural importance, dating from about 300,000 BCE to the 4th century CE. A signifcant percentage of the collection is derived from the Museum's three decades of archaeological work in Egypt, initiated in 1906 in response to increasing interest in the culture of ancient Egypt.