Scarab of a Priest of Hathor

Scarab of a Priest of Hathor

An item at Metropolitan Museum of Art

Administrative changes during Dynasty 12 lead to an increase in bureaucracy and, subsequently, in the production and use of seals. This is reflected in the beginning of the mass production of scarabs, the most popular shape for amulets, in late Dynasty 12 through Dynasty 13 (ca. 1850-1640 B.C.). Thousands of these late Middle Kingdom scarabs bear the names and titles of officials, who would wear them as amulets, but who could also use them to seal documents, containers or doors. However, the scarabs’ primary function remained that of a protective amulet. Several inscriptions add a funerary epithet to the owner’s name, indicating that the amulet was manufactured after the owner had passed away. This scarabs bears the name and title of a priest of the goddess Hathor. The inscription is surrounded by a scroll border.


Egyptian Art

An exhibit at Metropolitan Museum of Art

Scarab of a Priest of HathorScarab of a Priest of HathorScarab of a Priest of HathorScarab of a Priest of HathorScarab of a Priest of Hathor

The Met collection of ancient Egyptian art consists of approximately 30,000 objects of artistic, historical, and cultural importance, dating from about 300,000 BCE to the 4th century CE. A signifcant percentage of the collection is derived from the Museum's three decades of archaeological work in Egypt, initiated in 1906 in response to increasing interest in the culture of ancient Egypt.