Relief with palace attendant

An item at Metropolitan Museum of Art

Narrow wooden palm columns provide the clue that a room of a palace or house structure is depicted on this block, since the stone temples employed in the main thick stone papyrus bundle columns. Many scenes of palaces are depicted in relief from royal buildings and in officials tombs, as the 'palace' served as a point of departure or station on the king's regularly depicted journey to the temple. In addition, there are official houses for central bureaucrats that are sometimes seen in association with the temples. An attendant stands over what seems to be a large flaming brazier on an openwork stand, and appears to drop addiitional coals on the brazier from a small dish. The flames shoot up quite high. Scenes like this evoking the busy activity of attendants, or ephemeral phenomena like dancing fire, create a hubub of activity and life surrounding the royal circle in its intense focus on the Aten. The relief is sandstone, which, while not unknown at Amarna, is the main material in Akhenaten's Karnak constructions. That and the more angular treatment of the attendant's head suggest the relief comes from Karnak.

Egyptian Art

An exhibit at Metropolitan Museum of Art

The Met collection of ancient Egyptian art consists of approximately 30,000 objects of artistic, historical, and cultural importance, dating from about 300,000 BCE to the 4th century CE. A signifcant percentage of the collection is derived from the Museum's three decades of archaeological work in Egypt, initiated in 1906 in response to increasing interest in the culture of ancient Egypt.

Metropolitan Museum of Art