Menat necklace from Malqata

An item at Metropolitan Museum of Art

A menat necklace consists of a heavy, keyhole-shaped counterpoise (menat) and many strands of beads. Although the necklace is sometimes shown being worn (fig. 2 above), it was more often carried by females participating in religious ceremonies. It functioned as a percussion instrument that was shaken to create a soothing noise that was thought to appease a god or goddess. In the New Kingdom the menat necklace and sistrum (68.44) were attributes of women who held the title "Singer of Amun-Re" such as Renenutet, who is depicted holding her menat on her lap in a statue. In the early 20th century, the Museum conducted excavations at Malqata, a site at the southern end of the Theban necropolis where Amenhotep III had built a festival city for the celebration of his three jubilees (or heb seds). This miraculously preserved menat necklace and two single-strand necklaces of beads and amulets were found in the corner of a room in a private house near the King's Palace. According to the excavators, the three necklaces had been placed in a linen bag, traces of which were still visible. Link to a blog about the Museum's excavations at Malqata The Met's Joint Mission to Malqata

Egyptian Art

An exhibit at Metropolitan Museum of Art

The Met collection of ancient Egyptian art consists of approximately 30,000 objects of artistic, historical, and cultural importance, dating from about 300,000 BCE to the 4th century CE. A signifcant percentage of the collection is derived from the Museum's three decades of archaeological work in Egypt, initiated in 1906 in response to increasing interest in the culture of ancient Egypt.

Metropolitan Museum of Art