Lower Part of the Door of a Tomb

An item at Metropolitan Museum of Art

This door was found in situ and slightly ajar at the entrance to a rock-cut tomb from the Middle Kingdom (see Web Label Figure 1). Such doors have rarely survived from ancient Egypt, as most were removed and reused elsewhere once the cult for the original tomb owner was no longer celebrated. The top half was destroyed in antiquity by a combination of wasps, who gathered the wood fiber for use in their nests, and later undertakers, who carried coffins in for later intrusive burials over the lower half. What remained was trapped in place by rocks that fell from the cliffs above. The door is composed of seven vertical planks of wood, two inches thick, doweled together edge to edge and reinforced on the back by numerous horizontal battens spaced eight inches apart. The outside was coated wtih stucco. The lock had been cut away in ancient times, but mud seals used to secure it were found under the door. Several additional fragments, including one preserving part of the cartouche of a king Mentuhotep, were recovered nearby. More than a thousand years later the vizier Nespekashuty, who served under King Psamtik I (664-610 B. C.) had his tomb cut into the cliff close to this one, but the remains of the earlier doorway had by that time totally disappeared under debris.

Egyptian Art

An exhibit at Metropolitan Museum of Art

The Met collection of ancient Egyptian art consists of approximately 30,000 objects of artistic, historical, and cultural importance, dating from about 300,000 BCE to the 4th century CE. A signifcant percentage of the collection is derived from the Museum's three decades of archaeological work in Egypt, initiated in 1906 in response to increasing interest in the culture of ancient Egypt.

Metropolitan Museum of Art