
The Punishment of Niobe
Merry Joseph Blondel
An item at Metropolitan Museum of Art
Merry Joseph Blondel was a successful decorative painter in the first half of the nineteenth century. He received many commissions from the State, including for ceilings at the Musée du Louvre, the Palais de la Bourse, and the Château de Fontainebleau. This highly finished figure study in black and white chalk is a preparatory study for a panel in the ceiling of the Galerie de Diane at the Château de Fontainebleau. According to Homer’s Iliad, Niobe was a mortal who boasted of her many children, incurring the wrath of the gods. As punishment for her pride, Apollo and Artemis killed all her children, shooting them with arrows. In the ceiling panel at Fontainebleau, Blondel shows Niobe kneeling, supporting the limp body of her daughter, who has an arrow leaning against her thigh. Several bodies of other dead children can be seen lying on the ground. In this highly finished chalk study, Blondel uses light and shadow to carefully model the forms and capture of the fall of the drapery, allowing the pose and expression to convey the tragedy of the subject.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.