
Drapery study for "A Venus"
Albert Joseph Moore
An item at Metropolitan Museum of Art
This sensitive study of semi-translucent drapery falling over the back of a chair relates to Moore's painting "A Venus" (1869; York Art Gallery). In the latter, a similar arrangement appears at left placed next to an idealized nude woman who stands before flowering branches and next to two vases. The artist was a leader of the Aesthetic Movement whose proponents believed subject matter to be less important than beautifully arranged forms and harmonious colors. When preparing a composition, Moore made studies of figures, draperies and details which reveal how his ideas developed. His choice of rough brown paper to serve a support for studies was taken up by James McNeill Whistler who used it for pastel drawings.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.