Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)

Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)

Gilles Louis Chrétien

An item at Metropolitan Museum of Art

Théroigne was a Belgian proto-feminist revolutionary who moved to Versailles in the summer of 1789 in order to attend the debates at the National Assembly. She advocated for the participation of women in revolutionary clubs and authored a pamphlet urging the election of women representatives. She was known to dress in a masculine manner, as seen here in a physionotrace produced by Chrétien and Fouquet. Chrétien invented the physionotrace—the name of both the method and the resulting image—to aid his production of silhouette portraits. Fouquet completed the portraits from life and Chrétien scaled them down to the etching plate; both artists used pantographs, devices that link the movement of one instrument to that of another.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)Portrait of Anne-Josèphe Théroigne de Méricourt (1762−1817)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.