
Templum Idor Egito, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
Anonymous, Italian, 16th century
An item at Metropolitan Museum of Art
Perspectival cross section of a building referred to as the ‘Templum Idor Egito’. The building has a circular floor plan and consists of a central round nave of three stories high, surrounded by an ambulatory that reaches up to the second floor. Both the walls of the nave and the ambulatory are characterized by arches that are open to the exterior. The nave is crowned by an oculus. The building is similar to, but cannot be identified as a known central-plan building from the Roman and Early Christian periods. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is printed from the same plate as the 'Palatium Se. Lugduni' (later renamed 'Termae Antoniae').
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.