A woodland scene at dusk (recto); A study of trees and foliage (verso)

A woodland scene at dusk (recto); A study of trees and foliage (verso)

William James Müller

An item at Metropolitan Museum of Art

A leader of the Bristol School, Müller’s life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject close to home in Leigh Woods on the edge of the Avon Gorge. The masterful range of watercolor techniques, and freely applied strokes, suggest a date close to the end of the artist's career.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

A woodland scene at dusk (recto); A study of trees and foliage (verso)A woodland scene at dusk (recto); A study of trees and foliage (verso)A woodland scene at dusk (recto); A study of trees and foliage (verso)A woodland scene at dusk (recto); A study of trees and foliage (verso)A woodland scene at dusk (recto); A study of trees and foliage (verso)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.