La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)

La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)

Giovanni Ostaus

An item at Metropolitan Museum of Art

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with a curving vine of 3-sided leaves. Second register is decorated with vines to which either leaves or flowers are attached. Third register is decorated with an alternating pattern of flowers and birds. Fourth register is decorated with acurving vines of leaves.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 35 (verso)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.