La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)

La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)

Giovanni Ostaus

An item at Metropolitan Museum of Art

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated in the center with a composite woman, bird, and plant creature from which emanate curving stems of leaves that terminate into a winged putto on each side. Middle register is decorated with 2 composite man, bird, and plant figures that each feed a griffon fruit. Bottom register is decorated in the center with a grotesque head that is held by 2 winged putto and plant figures.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.