The door of a grotto

William Marlow

An item at Metropolitan Museum of Art

Marlow made this free watercolor sketch during a trip through France and Italy. Spontaneous brushwork and bright washes evoke strong sunlight playing across stone, contrasted with a shadowed recess covered by a rough wooden door. The artist’s travel likely was supported by the duchess of Northumberland, since Marlow later made many finished oils of Italian subjects for this English patroness. The freshness of the drawing is an early demonstration of watercolor’s expressive potential and anticipates groundbreaking innovations that would be made twenty years later by the British artists Thomas Jones and John Robert Cozens in Rome and Naples.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.

Metropolitan Museum of Art