People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)

People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)

Hans Burgkmair

An item at Metropolitan Museum of Art

Restrikes of Plate 129, from the series "Triumph Des Kaiser Maximilian I.", designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Stabius in 1512 and recorded by Marx Treitz-Sauerwein; the manuscripts with this text survive at the Nationbibliothek in Vienna. The illustrations, designed between 1516 and 1518, were largely the work of Hans Burgkmair, with contributions by Albrecht Altdorfer, Hans Springinklee, Albrecht Dürer, Leonhard Beck, and Hans Schäufelen. The project was incomplete as of Maximilian's death in 1519, and the first edition was not published until 1526. This edition of restrikes was released as two supplement volumes to the first two volumes of "Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses" (1883 and 1884), which published the text with Maximilian's orginal program as dictated to Treitz-Sauerwein. The supplement volumes, published 1883-84 in Vienna by Adolf Holzhausen, include 135 woodcuts from the original blocks in The Albertina.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.