
"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5)
George Richmond
An item at Metropolitan Museum of Art
This dramatic pose embodies lines that Romeo speaks to Juliet as he prepares to leave after their wedding night: Look, love, what envious streaks Do lace the severing clouds in yonder east. Night’s candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. I must be gone and live, or stay and die. Echoing the verse, Richmond’s figure of Day balances on the toes of one foot, her forward movement arrested as she turns to check the waxing light. Firm graphite lines define the form while lighter rapid strokes describe flying hair and drapery. When he made this drawing, the artist was suffering romantic difficulties and would have sympathized with Shakespeare’s unhappy lovers. The parents of his fiancée, Julia Tatham, had forbidden him to see her and were encouraging another suitor, a situation that propelled the couple to elope to Gretna Green in January 1831.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.