Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)

Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)

John Hill

An item at Metropolitan Museum of Art

Newburgh sits on the west bank of the river, about sixty-six miles south of Hudson and within the Higlands. John Agg's related text notes that, "no site could have been selected for a village, which possesses so many striking advantages. A very great and profitable trade has been consequently established here, which is also the depository and outlet for large quantities of produce constantly arriving from the interior," giving employment to about fifty vessels.The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)Newburg [Newburgh] (No. 14 of The Hudson River Portfolio)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.