Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)

Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot

An item at Metropolitan Museum of Art

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.