Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

Stefano della Bella

An item at Metropolitan Museum of Art

The interpretation of the riddle per line is as follows: 'Ove è Amore è fedeltà / Amor solicito è segreto. / Dove è Amore è gelosia. / Amore è cieco e vede di lontano. / Amore passa il guanto e l'acqua li stivali. / Amor Amore, tu sei la mia rovina.'


Drawings and Prints

An exhibit at Metropolitan Museum of Art

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval compositionRébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval compositionRébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval compositionRébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval compositionRébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.