The Declaration of Independence, July 4, 1776

The Declaration of Independence, July 4, 1776

Asher Brown Durand

An item at Metropolitan Museum of Art

This engraving reproduces Trumbull's famous painting, now at the Yale University Art Gallery, New Haven. Durand was commissioned by Trumbull to engrave the plate for $3,000. Engraved text below cites a copyright date of December 20th, 1820, but the work took Durand three years to complete, and was published late in 1823. Trumbull admired Durand's ability, was influenced by the fact he was a fellow American, but also appreciated his willingness to accept less than half the fee demanded by the British engraver James Heath. On October 20, 1823, Trumbull wrote to the Marquis de Lafayette: "I have sent to...Paris...a proof impression (avant la lettre) of a print which has been engraved here from my painting of the Declaration of Independence, by a young engraver, born in this vicinity, and now only twenty-six years old. This work is wholly American, even to the paper and printing, a circumstance which renders it popular here, and will make it a curiosity to you, who knew America when she had neither painters nor engravers, nor arts of any kind, except for those of stern utility." The painter Daniel Huntington, wrote of Durand's work, "he has preserved the likenesses with great fidelity, combining a free and vigorous use of the lines with a broad and rich effect of light and shade most attractive to the eye."


Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Declaration of Independence, July 4, 1776The Declaration of Independence, July 4, 1776The Declaration of Independence, July 4, 1776The Declaration of Independence, July 4, 1776The Declaration of Independence, July 4, 1776

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.