Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)

Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)

Anonymous, German, 18th century

An item at Metropolitan Museum of Art

Although at first sight this design for a cabinet may appear somewhat strange, a second view tells us that we’re looking at the somewhat flattened perspectival view of a concave corner cabinet. A very similar shaped example can be found in the secret library of the Benedictine monastery at Ottobeuren (Schwaben, Germany), where it is part of a larger wall unit dated 1730. The decorations of both cabinets are also very similar with a relatively modest pattern made up out of strapwork which is so typical for the Baroque period. Strongly adding to the decorative effect however, was the interplay of the different wood species used for the marquetry. The cabinet at Ottobeuren is characterized by a base of nut wood, which was contrasted by the dark outline of mahogany and plum and enlivened by the painterly effect of the flaming wood grain of birch and maple wood. Although the draftsman has used a mainly gray-toned palette for this drawing, the different wood species he intended to incorporate in his design can be clearly recognized by his use of light and dark and his accurate rendering of the different types of wood grain.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.