Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)

Joseph Mallord William Turner

An item at Metropolitan Museum of Art

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dunkarton here added mezzotint to describe an untamed vista in Surrey, forty miles southwest of London. A steep, shadowed hill with a gallows at its summit anchors the composition as light breaks through clouds in the sky, and smoke rises below. A coach rounds the hill's lower slope at right, and a shepherd rests near his flock in the foreground. The letter "M" in the upper margin indicates Turner's category of Mountainous landscape.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.