A Mill Near Colchester

John Constable

An item at Metropolitan Museum of Art

John Constable created resonant images of rural England. A determined "naturalist," he restricted himself to familiar scenery and refused to idealize but often used experimental techniques. This drawing, made in the 1830s, was painted freely and with intensity. A hilltop mill dominates the composition, its sails reefed in for blustery conditions. The strength of the wind is suggested by the scudding clouds and the dancing leaves on the foreground tree. To create the layout, Constable consulted sketches made at the site some fifteen years earlier. He then added somber tones in the densely worked foreground and contrasted them with thin blue washes in the sky and background. Vigorous scratching with a knife produced the sparkling highlights that suggest a burst of sunlight over forms washed by rain. Constable clearly valued this drawing, since he gave a copy to the artist Charles Robert Leslie to mark the latter's departure for America in 1833. In 1845 the composition was engraved in mezzotint by David Lucas an included in the appendix to "Various Subjects of Landscape, Characteristic of English Scenery."

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.

Metropolitan Museum of Art