La Marchande de moutarde

James McNeill Whistler

An item at Metropolitan Museum of Art

After visiting Cologne during a summer–fall tour in 1858, Whistler created this image of an elderly mustard vendor who arranges jars within a dim interior, as a young assistant leans against the door jamb. He here establishes a formula to which he would often return—using an open entrance to frame a receding interior containing figures and objects that refer to a particular activity and locale. One of the most complex prints in "Douze eaux-fortes d’après nature" (Twelve Etchings from Nature), Whistler based the composition on drawings and sent an impression to the Paris Salon of 1859. This example belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that descendants gave to the Museum.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.

Metropolitan Museum of Art