The Lictors Bringing Brutus the Bodies of his Sons

The Lictors Bringing Brutus the Bodies of his Sons

Jacques Louis David

An item at Metropolitan Museum of Art

This sheet is a compositional study for The Lictors Bringing Brutus the Bodies of His Sons (Musée du Louvre, Paris), which Jacques Louis David painted on the eve of the French Revolution and exhibited shortly after the fall of the Bastille in 1789. The subject, drawn from Roman history, found great resonance in the context of contemporary events. The canvas depicts an episode from the life of Lucius Junius Brutus, who put an end to the brutal regime of Tarquin, Rome's last king, and established the first Roman Republic, only later to find his two sons embroiled in a royalist conspiracy. True to his political convictions, Brutus condemned his sons to death. The novelty of David's painting is its focus, not on the executions but on the wrenching domestic aftermath. David's fully formed Neoclassical style can be seen here in the clean geometry of the architectural setting, the arrangement of the figures in a relieflike plane, the linear treatment of the forms, and the cool monochrome palette. The furniture and accessories and the poses of the main figures, from the brooding Brutus at the left to his anguished wife and daughters at the right, are all based on antiquities David copied while he was a student in Rome.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Lictors Bringing Brutus the Bodies of his SonsThe Lictors Bringing Brutus the Bodies of his SonsThe Lictors Bringing Brutus the Bodies of his SonsThe Lictors Bringing Brutus the Bodies of his SonsThe Lictors Bringing Brutus the Bodies of his Sons

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.