La scène des deux carrosses

La scène des deux carrosses

Claude Gillot

An item at Metropolitan Museum of Art

Primarily a graphic artist, Claude Gillot specialized in scenes of satire and whimsy, often using theatrical figures or satyrs as protagonists. Typically, his characters embody both the base human instincts that lend the scenes their humor and the elegant, dancelike comportment that situates them in the realm of witty Rococo divertissements. Gillot's ideas were transmitted to his most famous student, Antoine Watteau, whose fêtes galantes brought the fantasy and theatrical inspiration of Gillot's work into the mainstream of French art. The irreverence of the commedia dell'arte provided many of Gillot's most memorable subjects. This drawing relates to his best-known painting, Les deux carrosses (Musée du Louvre, Paris). It was directly inspired by a short sketch appended to a three-act comedy, Foire Saint Germain, which was first performed in 1695. An altercation breaks out between two cabmen and their passengers (commedia dell'arte characters Arlequin and Scaramouche, both dressed in women's clothing) when the carriages meet in a narrow alley and each refuses to back up and let the other pass. The sketch concludes when a passing judge attempts to mediate the conflict but instead becomes the focus of the collective ire and is chased offstage.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

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The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.