Jupiter and Astraea

Giulio Campi

An item at Metropolitan Museum of Art

According to Ovid's 'Metamorphoses,' the most consulted mythological text in the Renaissance, when human wickedness forced the Gods to abandon the earthly realm, Astraea, the goddess of Justice, was the last to flee to the heavens where she transformed into the constellation Virgo. In Campi's drawing, Astraea, identified by an inscription at the lower right, Aestrit, is shown not with her scales but rather in an amorous embrace with Jupiter, who has taken the form of an eagle in order to seduce her. Jupiter was famous for the many guises he took to beguile his objects of desire, and this theme was popular in mid-sixteenth century Mantua in the circle of Duke Federico Gonzaga II. Campi's exquisite drawing was a preparatory study for a group of frescoes representing the many loves of Jupiter painted about 1545–50 for a small room in the Palazzo Aldegatti, which was owned by an aristocratic Mantuan family. The present sheet was acquired in 2003 from the collection of the great scholar and connoisseur of Italian master drawings Philip Pouncey (1910–1990).

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.

Metropolitan Museum of Art