St. Jerome in the Wilderness (S. Hieronymus in Deserto) from The Large Landscapes
Johannes van Doetecum I
An item at Metropolitan Museum of Art
The figure of Saint Jerome, the monk and church scholar who sought spiritual refuge in the wilderness, forms but a minute part of this composition. Bent over a book in the right foreground with his lion, the saint pays no attention to the magnificent landscape behind him, divided roughly evenly along a diagonal between a rocky mountainside crowned by a fortress and the calm river valley below. Inscribed "Hieronymus in Deserto" (Saint Jerome in the Wilderness), the image was printed after a design by Pieter Bruegel the Elder. It is one of a series of twelve prints known as the Large Landscapes, all of which reflect the deep impression the dramatic mountain vistas made on Bruegel as he traveled through the Alps on his return from Italy around 1554. Carried out primarily in etched lines that have the appearance of engraved ones the unsigned Large Landscapes were executed by the brothers Joannes and Lucas van Doetecum and published by Hieronymus Cock through his Antwerp shop, At the Four Winds. The prints, which were among the most widely circulated and celebrated of Bruegel's images, allowed a large audience to become acquainted with his strikingly naturalistic and broad-eyed conception of landscape. This is one of the three prints in the series with a biblical subject, though it is unclear whether it was Bruegel's original intention to depict a religious theme. The saint seems almost an afterthought, probably added by the publisher together with the title.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.