Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent

Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent

Eugène Delacroix

An item at Metropolitan Museum of Art

The turbulent forms of the animals featured on this sheet show Delacroix’s imagination at work in ink. Animal attacks and hunts were a constant theme in his work from 1828 onward. His firsthand experiences witnessing clashes between creatures combined with his study of works by other artists, such as the dramatic seventeenth-century hunts of Flemish painter Peter Paul Rubens, enabled him to invent violent confrontations with his pen. The repetition of the entangled animals produces an effect aptly compared to "time-stopped motion" and gives a sense of successive moments in the writhing struggle.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a SerpentStudies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a SerpentStudies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a SerpentStudies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a SerpentStudies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.