Design for a Stage Set
Giuseppe Barberi
An item at Metropolitan Museum of Art
A prodigious draughtsman, Barberi designed many architectural projects that remained for the most part unexecuted. He was trained as a silversmith under Luigi Valadier, father of the Roman neoclassic architect, Giuseppe Valadier. Many of Barberi's drawings, including this one, were wrongly attributed to the younger Valadier until Berliner showed them to be the innovative products of Barberi's fertile imagination. Most of Barberi's drawings are in the Cooper-Hewitt Museum and the Museo di Roma. They show Barberi to have been one of Rome's important neoclassic designers. Berliner dates our drawing 1770-80. This lavishly colored stage set exemplifies Barberi's neoclassic style. The view is straight on: the baroque effect of unending space achieved through the Bibiena's scena per angolo is replaced by a clear, carefully defined, enclosed space. Gigantic columns form a frontal screen, behind which a railing reinforces the two-dimensional screen effect. The simplified architectural elements are grandiosely presented on a huge scale. The monumental background is created by a rusticated arcade acting as wings for a simple temple front that consists of a colonnade surmounted by a stepped dome. A chair on a high, stepped platform, suggesting a throne, is at left. Behind it and on the opposite side of the stage are two lions couchant.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.