Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)

Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)

Aubrey Vincent Beardsley

An item at Metropolitan Museum of Art

Beardsley made hundreds of detailed ink drawings to illustrate J. M. Dent’s 1893–94 edition of Le Morte d’Arthur, and this border design was used to frame a tale of King Arthur’s piety in book seven, chapter one, titled "How Beaumains Came to King Arthur's Court and Demanded Three Petitions of King Arthur." The theme is underscored by angels whose repeated forms depend on a medievalist aesthetic, but the irregular shape of the lilies—shown open and closed with curvilinear stems—anticipates Art Nouveau.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.