Bust of a Woman with an Elaborate Coiffure

Bust of a Woman with an Elaborate Coiffure

Rosso Fiorentino

An item at Metropolitan Museum of Art

Rosso intended this drawing as an ideal representation of a beautiful young woman, in response to the genre of "teste divine" (divine heads) that Michelangelo made famous in drawings of the 1520s and 1530s, especially the "Zenobia" (Uffizi, Florence). Here, he invented elegant "s" shaped rhythms for the figural pose. The woman is seen in bust-length from the back, her head turned in profile, slightly lowered, to gaze directly at the viewer, while the exquisite complexity of details of her fashionable dress soften her pose with airy curves and twists. Her fantastic coiffure is laden with braids curled around a pair of ram's horns, while her artfully puffed-up dress, with layers of agitated drapery, is fastened on the back with a mask-like brooch. Although minor passages were touched up with ink and the figure was silhouetted with wash at a later time, the characteristic clarity and precision of Rosso's original drawing in chalk are plainly evident. The delicately ornate mount and the pen inscription below, telling the colorful, apocryphal story about the presumed subject of the drawing, are both due to the British collector John Talmann, who incorrectly thought this to be a portrait of Giulia Gonzaga (1513-1566), Contess of Fondi, a famous beauty in her day. (Carmen C. Bambach)

Drawings and Prints

An exhibit at Metropolitan Museum of Art

Bust of a Woman with an Elaborate CoiffureBust of a Woman with an Elaborate CoiffureBust of a Woman with an Elaborate CoiffureBust of a Woman with an Elaborate CoiffureBust of a Woman with an Elaborate Coiffure

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.