
Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head
Parmigianino (Girolamo Francesco Maria Mazzola)
An item at Metropolitan Museum of Art
Portrait drawings by Parmigianino (other than self-portraits) are quite rare. The left half of this delicately drawn sheet is apparently a portrait of the Parmese statesman and humanist Giorgio Anselmi 'nepote' ('nephew'). Although Anselmi was celebrated in his day as a writer of odes and love poetry in the classical Latin tradition, he has all but been forgotten today. The inscription, which is certainly in Parmigianino's hand as the hue of the red chalk is exactly the same as in the drawings, may establish the poet's precise death date, 21 September 1530. The slight sketch of the skull on the right half of the sheet undoubtedly constitutes a 'memento mori,' and the inscription below may well refer to the poet's date of death, although this contradicts Ireneo Affò's late eighteenth-century account of Anselmi's demise in the great plague that swept through Parma in 1528 (Memorie di scrittori e letterari parmigiani, Parma, 1791; Quattrucci 1961). Anselmi is thought to have been born before 1459, although this is not documented. Parmigianino's drawing belongs stylistically to around 1530-5, and it may well have been preparatory for an engraved illustration accompanying a posthumous printing of one of Anselmi's literary works during that decade. (Carmen C. Bambach)
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.