Battle of the Nude Men
Antonio Pollaiuolo
An item at Metropolitan Museum of Art
One of the earliest and most influential Italian engravings, this print is an anomaly in many respects. It is the largest engraving of its time, and the only one signed by the Florentine artist Antonio Pollaiuolo (1431/32–1498). The Museum's impression, like others, shows the wear that resulted from handling and examination. The subject of the print has never been completely explained. Some people have argued that the print was meant to illustrate a mythological episode, while others have viewed it as a pattern piece, intended to demonstrate a range of poses and viewpoints for the benefit of other artists. Another interpretation suggests that the ten nude figures locked in combat may be gladiators fighting in funeral games, and the print itself may have commemorated the death of a prominent Florentine. Pollaiuolo's apparent interest is to describe the human body in a state of action, in varied poses, and from different angles. The figures' muscles are flexed and exaggerated but nevertheless demonstrate the artist's keen understanding of anatomy. The careful pairing of fighters in complementary poses injects the violent battle with a dancelike order.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.