
The Procession, from Nathaniel Hawthorne's "The Scarlet Letter"
Felix Octavius Carr Darley
An item at Metropolitan Museum of Art
Darley illustrates Hawthorne's "The Scarlet Letter, A Romance" (published in 1850). His drawing was reproduced in 1879 as the tenth print of twelve "Compositions in Outline." Set in seventeenth-century Boston, the story explores the consequences of a liason between Hester Prynne and the Puritan pastor, Arthur Dimmesdale. When Hester becomes pregnant, she refuses to identify her child's father, is imprisoned, and forced to wear a red letter "A" on her dress (to mark her as an adultress). Upon release, she lives in an isolated cottage, supports herself as a seamstress, and tends to her daughter Pearl–whose behavior grows increasingly wild and antisocial. The artist responds here to an incident in chapter 22, set amid celebrations held to mark the arrival of a new governor. That occasion allows Mistress Hibbens to approach Hester and call Pearl a child of the Devil–at an earlier point in the text, Hawthorne describes the old woman as a suspected witch. See 14.111.1–3,.5 for other drawings from the set.
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.