The Land of Cockaigne

The Land of Cockaigne

Pieter van der Heyden

An item at Metropolitan Museum of Art

The Land of Cockaigne, known in Dutch literature as Luilekkerland (country of the lazy and gluttonous), was described in very popular stories as a mythical place where there is no need to work, and where food and drink are so abundant that we need only open our mouths to take in what we desire. In this print, which accurately follows in reverse Bruegel's 1567 painting of the same title (Munich, Alte Pinakothek), three figures—a soldier, a farmer, and a clerk—are shown sleeping off the effects of their overindulgence, or waiting for more drink to imbibe—as the clerk does at left. Some of the remains of their meal are strewn on the platform encircling the tree in the center, while the mountain of buckwheat in the background and the house covered with tarts at right indicate this land has plenty to spare. The image's moralizing intent—to decry the vices of sloth and gluttony—is apparent from the first part of the Dutch inscription below: "The lazy and gluttonous farmers, soldiers, and clerks get there and taste all for nothing." Though Bruegel is credited with the inspiration for the design—"P. Bruegel. inventor" appears in the lower left corner—it is unclear whether the master was involved in the production of the print, which was probably engraved by Pieter van der Heyden.


Drawings and Prints

An exhibit at Metropolitan Museum of Art

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The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.