
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
An item at Metropolitan Museum of Art
This drawing, made in pen and ink by the leading artist of the Roman Baroque Pietro da Cortona, was preparatory for a painting featuring The Virgin with Christ Child and Saint Martina now in the Kimbell Art Museum, Fort Worth (inv. AP 1984.07, oil on canvas, 70 x 58 cm). In this composition, Saint Martina, a third-century martyr who was put to death for refusing to worship idols, gazes at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom. The painting and the related drawing are generally dated to1643-45 ca. Cortona was particularly devoted to the cult of the Roman martyr Saint Martina, whose remains were found in 1634 during excavations undertaken for the artist's own tomb in the crypt of the church of the Accademia di San Luca, Rome. The discovery of the relics led to the rebuilding of the entire church, under Cortona's direction as architect, which was then dedicated to Saints Luke and Martina. Jörg Martin Merz (see here bibliography) dates this sheet to 1643 due to its similarities in handling and draftsmanship with a second preparatory drawing in the Morgan Library (inv. 1985.81). Cortona produced several variations on this subject for an engraving dedicated to Cardinal Francesco Barberini, for which the Morgan drawing may be a preparatory drawing. In the engraving the composition is shown in reverse. (F.R.)
Drawings and Prints
An exhibit at Metropolitan Museum of Art
The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.