The Martyrdom of Saint Clement I, Pope

The Martyrdom of Saint Clement I, Pope

Agostino Ciampelli

An item at Metropolitan Museum of Art

This sheet constitutes a study, with several variations, for a fresco painted by Agostino Ciampelli in 1596-1597 on one of the end walls of the Canon's Sacristy in San Giovanni in Laterano, Rome, on the commission of Pope Clement VIII Aldobrandini (r. 1592-1605). The lunette-shaped fresco is pierced by a central door, and the reserves at lower left and right in the drawing indicate places for cupboards. The apocryphal acts of Pope Clement I (died ca. A.D. 99) recount that he was banished by Trajan to Crimea where he had to work in the quarries. As the nearest drinking water was six miles away, Clement miraculously found a nearer spring for the use of the numerous Christian captives (the subject of Ciampelli's fresco on the opposite end wall of the sacristy). Clement preached among the people with great success and was therefore thrown into the sea with an anchor tied round his neck. Angels built him a tomb beneath the waves which once a year was revealed by a miraculous ebbing of the tide. These last two events are recorded in our drawing and the related fresco. This composition study seems to be the only surviving preparatory drawing by Ciampelli for his work in the Lateran sacristy. Although not related to the same commission, a highly detailed ‘modello’ in the Uffizi (inv. 1056 F) closely relates in style with the Museum’s ‘Martyrdom’.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Martyrdom of Saint Clement I, PopeThe Martyrdom of Saint Clement I, PopeThe Martyrdom of Saint Clement I, PopeThe Martyrdom of Saint Clement I, PopeThe Martyrdom of Saint Clement I, Pope

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.