Allegorical Figure of Fame

Allegorical Figure of Fame

Cavaliere d'Arpino (Giuseppe Cesari)

An item at Metropolitan Museum of Art

The attribution of this drawing to Giuseppe Cesari, Cavaliere d'Arpino, is traditional, as can be seen from the early annotation in pen and brown ink at lower right on the sheet, and which was repeated in embellished calligraphy at the bottom on the elaborate blue mount by the great French collector, Pierre-Jean Mariette (1694-1774), who was one of its early owners. The drawing was part of the sale at auction of the fabled Mariette collection, recorded in the Catalogue raisonné des différens objets de curiosités dans les sciences et arts, Paris, 1775, p. 22, lot 126. In 1987, Lawrence Turčic first noticed the connection of this drawing to the Allegory of Fame, frescoed by the Cavaliere d'Arpino in 1613-15 on the ceiling of the Palazzina Montalto in the gardens of the Villa Lante at Bagnaia (near Viterbo). In his 2013 catalogue raisonnée on the artist, Marco Simone Bolzoni more precisely described that this drawing dated earlier, to the 1590s, and that the artist had intended it as a highly finished, autonomous work, which he then later reused to decorate the Palazzina Montalto. As seen here, the careful drawing technique, combining red and black chalks, is typical of the artist, although the design surface is somewhat rubbed. A virtuosic draftsman and fresco painter, the Cavaliere d'Arpino was among the last Mannerist painters active in Rome and Naples. He trained several artists of the following generation, including Guido Reni and Caravaggio. For the published references on the drawing, see Bibliography. (Updated, January 02, 2024; Carmen C. Bambach)

Drawings and Prints

An exhibit at Metropolitan Museum of Art

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The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.