A Gathering at Wood's Edge

Jean Honoré Fragonard

An item at Metropolitan Museum of Art

Unlike the majority of Fragonard's red chalk landscapes, made during a summer at Tivoli in 1760, this drawing is a work of the artist's maturity, probably dating to just before his second trip to Italy in 1773–74. Dense deciduous trees recall the forests around Paris rather than the Roman countryside. The unhesitating, even virtuoso, handling suggests that this is an independent work, probably created in the studio from a related plein-air study now in a private collection. A stand of mature trees, bursting with profuse sunlit foliage, guards the shady entrance to the woods. In a characteristic manipulation of scale, Fragonard presents small groupings of elegant figures, half lost in shadow, as restrained echoes of the vigor and fecundity of the overgrown landscape. The dramatic naturalism associated with the Dutch landscapists, especially Jacob van Ruisdael, is here merged with a vision of nature as a welcoming milieu for aristocratic dalliance, a legacy of Watteau's fêtes galantes.

Drawings and Prints

An exhibit at Metropolitan Museum of Art

The Department’s vast collection of works on paper comprises approximately 21,000 drawings, 1.2 million prints, and 12,000 illustrated books created in Europe and the Americas from about 1400 to the present day. Since its foundation in 1916, the Department has been committed to collecting a wide range of works on paper, which includes both pieces that are incredibly rare and lauded for their aesthetic appeal, as well as material that is more popular, functional, and ephemeral. The broad scope of the department’s collecting encourages questions of connoisseurship as well as those pertaining to function and context, and demonstrates the vital role that prints, drawings, and illustrated books have played throughout history.

Metropolitan Museum of Art