Gold Neck Ring

An item at Metropolitan Museum of Art

This elegant and technically accomplished solid gold torque, which weighs more than a pound, is a superb example of the mastery of goldsmiths in Iron Age Europe. Such an imposing object would have been an emblem of status and power. Its excellent condition suggests that it might have served as a ritual offering or been placed in a tomb to accompany the dead into the afterlife. It may also simply have been deluxe jewelry. In about 50 B.C. the Roman historian Diodorus Siculus wrote that Celts in Gaul “gather gold that is used for ornaments not only for women but men as well, for they wear bracelets on their arms and wrists and also massive solid-gold collars around their necks.” The torque may have been made from a cast gold blank that was deeply incised or channeled along its length on four sides, evenly notched along some of the edges, and then twisted. Or it may have been constructed of four graduated square lengths of gold that were evenly notched and then twisted. Such techniques employing single or multiple strands of gold were used in several cultures in the first millennium B.C., but they were most widespread among the Celts, who populated much of western Europe.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art