Key Ring with Lovers

An item at Metropolitan Museum of Art

During the fifteenth and sixteenth centuries, particularly in the North, it was common for mistresses of the house to carry the keys for their numerous chests, cupboards, and their doors on rings suspended from their belts or girdles by a chain or cord. Sometimes the key ring was attached to one of several chains hanging from a large broochlike device fastened directly below the belt. This device was used not only to attach key rings and other items but also to pin up trailing skirts. This key ring, though possibly carried separately, may once have been attached in the fashion described above. The small sculpture of the courting couple would have served at the finial or handle. Though key rings with non-figurative terminals exist from the fifteenth and sixteenth centuries, at least two other key rings with very similar figures have survived. This particular example is opened by detaching the screw that links the ring to the figures. It is possible that originally a small bolt or cap covered the exposed end of the screw.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art