Box

An item at Metropolitan Museum of Art

Ink containers of different shapes and sizes frequently appear in manuscript illuminations and in paintings depicting scribes or scholars in their studies. Although it is difficult to determine their material from the pictorial evidence, ink containers are known to have been made not only of horn, but also of silver, tin, and leather, and, in later periods, of glass and stoneware. Horn was used early in the Middle Ages; a twelfth-century manuscript shows two containers made of ox horns set in holes in the scribe’s desk. By the fifteenth century, however, ink pots were designed as free-standing containers. Twelfth-century recipes for ink indicate that pigments, made of lampblack, gallnut, and similar materials, were stored in powder form and mixed with liquid in small amounts according to the scribes’ immediate requirements. This practice, which continued throughout the Middle Ages, allowed ink containers to be carried without fear of spilling. Portable writing cases, which could be attached to a belt, were equipped with a well for the ink pigment container and sheaths for quill pens. Unlike several leather ink pits which have been excavated in London, this leather case is fitted with strap loops and was probably designed to carry either a pigment container or a more elaborately worked inkwell.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art