Two-Handled Jar with Birds and a Coat of Arms

An item at Metropolitan Museum of Art

From 1400 on, finely turned and decorated glazed earthenwares have been associated with Florence. It is unlikely, however, that the earlier of these wares were actually made within the city walls, but rather in outlying Tuscan towns such as Montelupo, situated in the Arno valley between Florence and Pisa. Unlike the earlier Italian earthenwares, the so-called Florentine vessels initiated the use of an all-over white to gray tin-enamel glaze slip, against which the painted decoration was highlighted. For the first several decades of the fifteenth century, the palette was generally limited to tones of pale green, manganese purple (used primarily as an outline color), and, less frequently, cobalt blue. This particular example bears a coat of arms that has tentatively been identified as that of the Guida family if Siena or the Della Marchina family of Faenza. As with Spanish lusterware, the limitations of the palette rendered precise tinctures impossible, consequently, the heraldic devices are not easily identified. The vessel, made for a private individual, was probably used as a household storage jar for dried herbs, medicinal compounds, or other such substances.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art