The Man of Sorrows

An item at Metropolitan Museum of Art

A monk and a hooded figure, his back bared so that he can whip himself in penitence, kneel before a dreamlike vision of Jesus rising from his tomb. This plaque, with an inscription naming the society of Saint Dominic, was probably intended for private prayer by a member of a Dominican brotherhood. Focus on the crucified Christ and his suffering was widespread in the 1300s. Pope John XXII (reigned 1316–34) declared that the Imago pietatis should be evoked during the celebration of the Mass. Pope Innocent VI (reigned 1352–62) affirmed that devotion to the Instruments of the Passion would reduce punishment for sin after death; seen here are the vinegar-soaked sponge that was offered to Jesus on the cross and the lance that pierced his side.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art