Door knocker in the shape of a crocodile-like creature

Door knocker in the shape of a crocodile-like creature

An item at Metropolitan Museum of Art

The later Middle Ages was practically a second Iron Age, producing vast quantities of armor, weaponry and all manner of functional objects from nails to elaborate strap work hinges, ornate locks and household tools. A highly specialized craft, the best ironsmiths took pride in bringing decorative refinement to their works often elaborating surfaces that could not be seen and transfiguring the functional into the figural. These door knockers are fine examples of the wit, humor, and skill the best ironsmiths could bring to their products. This door knocker is in the shape of a crocodile-like creature with a long elevated tail (the end broken off) and an elongated snout. The attachment tang, riveted through the hips and striker, riveted through the shoulders, replace the legs. The surface is textured with a series of parallel chisel marks.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

Door knocker in the shape of a crocodile-like creatureDoor knocker in the shape of a crocodile-like creatureDoor knocker in the shape of a crocodile-like creatureDoor knocker in the shape of a crocodile-like creatureDoor knocker in the shape of a crocodile-like creature

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.