Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)

An item at Metropolitan Museum of Art

The series of capitals, abaci, shafts, and engaged piers incorporated into this cloister come from the upper story of the cloister of the Benedictine abbey of Saint-Guilhem-le-Désert, near Montpellier. An important stop on the pilgrimage route to Santiago de Compostela, the cloister was constructed in the late twelfth or early thirteenth century-in any case, before 1206. Abandoned during the French Revolution, the abbey fell into ruin. The carving is notable for the skillful use of the drill and the deep undercutting. Many of the capitals are based on classical models. In addition to the many examples with carefully observed foliate decoration, the capital representing standing saints and the Presentation of Christ in the Temple is of particular interest but is possibly not from Saint-Guilhem. The limestone capital in the center (25.120.246), recut as a font, dates from the late eleventh century and comes from the Auvergne or the Guyenne region of France.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art