Sorgheloos ("Carefree") in Poverty

An item at Metropolitan Museum of Art

Sorgheloos ("carefree" in medieval Dutch) was the antihero of one of the most popular moralizing stories in the Lowlands of the late Middle Ages. Loosely based on the prodigal son of the Christian parable, Sorgheloos ignores all admonishments and embarks on the life of a spendthrift wastrel. Inevitably the money runs out, friends abandon him, and Sorgheloos is ruined. Unlike the prodigal, who returns to a forgiving father, Sorgheloos, unredeemed, is condemned to poverty. This harsh cautionary tale found considerable resonance among the God- fearing, hardworking denizens of mercantile towns in the Lowlands. Here, Sorgheloos sits forlornly on an upended washtub before a boiling kettle of herring a barren, crumbling house. His only companion (besides a pitiable dog and cat) is Poverty, who can be seen through the doorway gleaning straw to feed the fire. The roundel's execution—in several tones of paint, ranging from pale umber to dark brown, and three hues of silver stain, from pale yellow to coppery brown—is unusually accomplished. The mattes were extensively worked with a badger brush to produce subtle tonal gradations. Details and outlines were added with both a stylus and the tip of a brush.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art