Capital with Four Heads

Capital with Four Heads

An item at Metropolitan Museum of Art

In 863 a monk named Theodosius wrote of the grandeur of Palermo, describing it as “full of citizens and strangers. . . . Blended with the Sicilians the Greeks, the Lombards and the Jews, there are Arabs, Berbers, Persians, Tartars, Africans, some wrapped in long robes and turbans . . . faces oval, square, or round, of every complexion and profile, beards and hair of every variety of color and cut.” The four heads emerging from acanthus leaves to form the corners of this capital attest to Theodosius’ comments. The heads are close in style to other examples by Apulian sculptors working for the court of Frederick II Hohenstaufen.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

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The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.