
Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection
An item at Metropolitan Museum of Art
An outstanding example of Gothic goldsmiths' work and enameling, this small devotional diptych achieves a gemlike quality through its accomplished technique and graceful style. The outer scenes of the Crucifixion and the Resurrection are executed in translucent enamel with details in opaque enamel, while the inner scenes of the Annunciation and the Nativity are in the form of cast reliefs. The diptych generally has been attributed to either a Parisian or a Cologne workshop, but a more precise localization is made difficult not only by the mobility of artists and the resultant transmission of styles, but also by the palpable stylistic differences between the outer and inner wings. In addition, the unusual inclusion of a midwife in the Nativity scene is an iconographic peculiarity that appears for the most part to have been of Austrian origin. While the place in which this diptych originated remains somewhat uncertain, the essential stylistic qualities of the work link it with Cologne.
Medieval Art and The Cloisters
An exhibit at Metropolitan Museum of Art
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.