Plate

An item at Metropolitan Museum of Art

This plate is emblazoned with the coat of arms of the Morelli family of Florence, and must have belonged to a large table service. This small plate, because of its size, was probably used primarily for eating. Examples of matching services have only rarely survived, although documents indicate great numbers were made for both the domestic and the export markets. In a receipt dated 1454, the widow of Don Pedro Buyl, overlord of the Manises lusterware factories, received payment of 6000 gueldos (roughly equivalent to $360,000 in 2016) as a tithe on the potters’ goods destined for the export market. These wares leaving Grao, the port of Valencia, destined for Mediterranean markets, generally were transported by ships of Mallorcan registry. For this reason, lusterware, and later all glazed earthenware, became known as majolica. The ivy pattern rendered completely in copper luster became an increasingly popular decorative motif toward the end of the century as potters more literally imitated the surface sheen of precious metalwork.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art